Luis García Berlanga, who has died aged 89, will be remembered not just for his wonderful films: in making them he also led the shift towards serious film-making in Spain in the 1950s and 1960s. His achievement is all the more remarkable in the context of a military dictatorship that had either eliminated or forced into exile most of the artists who had flourished during the all-too-brief Second Republic. Looking back at his hallmark movies made during the depths of the Franco dictatorship, one can only marvel at his courage and determination, along with his ability to outwit the general’s censors. And while Berlanga was a thorn in the side of the regime —from his first film in 1951 to … [Read more...] about Berlanga, the bad Spaniard
IberoArts
Farewell to the restless soul of Madredeus
During the now-legendary beginnings of Madredeus in the late eighties, the group rehearsed in the wing of an old Lisbon convent. For anyone who has heard them, this was a perfect venue for their fado-influenced folk music. After those modest beginnings, Madredeus would go on to sell millions of records and become a success not just in their native Portugal, but worldwide. Yet founding member Francisco Ribeiro, who died on September 14 at the age of 45 from liver cancer, gave the impression that he would rather play his cello back in that old convent by the River Tagus, than tour the world as part of such a wildly successful group. “(Ribeiro was a) fragile person, in the most hardworking … [Read more...] about Farewell to the restless soul of Madredeus
Santiago Segura is Torrente… and an incurable romantic
Gladdened by the recent news that Santiago Segura is making his fourth Torrente film, and in 3D, I was prompted to illegally download and re-watch the three previous movies in the series. Like his hero Peter Sellers, who for most movie fans will forever be Inspector Clouseau, Spanish comic Santiago Segura seems unable, or unwilling, to shake off his alter ego, Inspector José Luis Torrente. Little wonder: the racist, sexist, homophobic Madrid cop is one of the biggest pulls in Spanish cinema. Torrente 2: Mission in Marbella, made in 2001, remains the most profitable Spanish film of all time. The Torrente formula is simple: lots of smutty jokes at our hero’s expense; plenty of gratuitous … [Read more...] about Santiago Segura is Torrente… and an incurable romantic
Javier Bardem and Penélope Cruz: compare and contrast
Having appeared in several films together dating back to the beginnings of their careers in the early 1990s, and being the first Spanish actors to be nominated for Oscars, then the first to win the coveted statuette, there seemed a certain inevitability about Javier Bardem and Penélope Cruz’s announcement in July that they had finally got married. Needless to say, the media made great play of two Academy Award winners tying the knot: as more than one story trumpeted, it’s a “marriage made in Oscar heaven.” For the domestic press this was yet another example of Spain’s international success, —somewhat overshadowed by the World Cup, it has to be said— while for the rest of the world there … [Read more...] about Javier Bardem and Penélope Cruz: compare and contrast
Saramago: Iberia’s Godless conscience
“With a rapid movement, what was in sight has disappeared behind the man’s clenched fists, as if he were still trying to retain inside his mind the final image captured, a round red light at the traffic lights. I am blind, I am blind, he repeated in despair as they helped him to get out of the car, and the tears welling up made those eyes which he claimed were dead, shine even more.” (From Blindness). Given that his life was so often filled with polemic, perhaps it was fitting that José Saramago’s death should be surrounded by controversy. The late Portuguese novelist would have smiled from the afterlife –if he had believed in it– at the idea of the Vatican and his country’s president … [Read more...] about Saramago: Iberia’s Godless conscience
A cinema industry locked in confusion
Two new films have just won the top prizes in their respective countries: Celda 211 (or Cell 211), by Spanish director Daniel Monzón; and A Prophet, directed by France’s Jacques Audiard. Both are prison dramas. Both are currently on release in Spain. Both are box office smashes. And that’s pretty much where the similarities end. A Prophet is a confidently directed, superbly acted, universal story of a young man’s rite of passage into hell; at the same time it’s an indictment of France’s brutal prison system, where a disproportionate number of Arabs are locked away, often for relatively minor crimes. Celda 211, on the other hand, is a lacklustre yarn based on a formulaic script, … [Read more...] about A cinema industry locked in confusion
Never a prophet in his own land?
First, the Goyas. He was in the running for best original screenplay, but didn’t make it. More importantly for many, Pedro Almodóvar returned on February 14 to Spain’s top movie awards ceremony after a five-year absence to hand Daniel Monzón the best film prize for Celda 211. His presence was highly symbolic, given that Broken Embraces had been overlooked for Spain’s top film prize, as had he for best director. The film was nominated in five categories, among them best screenplay; in the end it won best soundtrack. This year, the story is that the director and the Academy have made their peace, even if Almodóvar rejected a very public plea from the organization’s president, Alex de la … [Read more...] about Never a prophet in his own land?
Unmasking the weaver of dreams
There is an unforgettable scene in Gerald Martin’s biography of Gabriel García Márquez, when the Colombian writer, who is leading a hungry and desperate existence in Paris, spots his hero Ernest Hemingway wandering down the street in Paris one morning in 1957. García Márquez, shy but determined not to let his idol walk on by, shouts out: “Maestro!” Hemingway replies: “Adiós, amigo!” and disappears. The image of a young, still undiscovered García Márquez chasing after a writer he reveres contrasts sharply with that of the García Márquez we have come to know. For at least the last 20 years he has been an easy-going grandfather figure, oozing gnomic bonhomie and magical tales. In the … [Read more...] about Unmasking the weaver of dreams