With 16 nominations, Pedro Almodóvar's The Skin I Live In (La piel que habito) will probably sweep the board on Sunday February 19, when Spain’s Film Academy announces the winners in the 26th annual Goya Awards. Bringing up second place will likely be Enrique Urbizu's thriller No Rest for the Wicked, which has 14 nominations, followed by Kike Maillo's directorial debut Eva with 12. Sunday night looks set to be a very public kiss and make up between Oscar-winning Almodóvar and the Academy, bringing to an end a frosty few years. The 16 nominations end a period of chilly relations between Almodóvar and the Spanish academy, which the director quit five years ago over changes to the … [Read more...] about It’s gonna be a love fest at the Goya awards
Pedro Almodóvar
Javier Bardem and Penélope Cruz: compare and contrast
Having appeared in several films together dating back to the beginnings of their careers in the early 1990s, and being the first Spanish actors to be nominated for Oscars, then the first to win the coveted statuette, there seemed a certain inevitability about Javier Bardem and Penélope Cruz’s announcement in July that they had finally got married. Needless to say, the media made great play of two Academy Award winners tying the knot: as more than one story trumpeted, it’s a “marriage made in Oscar heaven.” For the domestic press this was yet another example of Spain’s international success, —somewhat overshadowed by the World Cup, it has to be said— while for the rest of the world there … [Read more...] about Javier Bardem and Penélope Cruz: compare and contrast
A cinema industry locked in confusion
Two new films have just won the top prizes in their respective countries: Celda 211 (or Cell 211), by Spanish director Daniel Monzón; and A Prophet, directed by France’s Jacques Audiard. Both are prison dramas. Both are currently on release in Spain. Both are box office smashes. And that’s pretty much where the similarities end. A Prophet is a confidently directed, superbly acted, universal story of a young man’s rite of passage into hell; at the same time it’s an indictment of France’s brutal prison system, where a disproportionate number of Arabs are locked away, often for relatively minor crimes. Celda 211, on the other hand, is a lacklustre yarn based on a formulaic script, … [Read more...] about A cinema industry locked in confusion