Alfredo Landa, who died last week, was iconic in the world of Spanish cinema as a comic Everyman, lending his name to a style of popular comedy - landismo. Like Norman Wisdom in the UK or Jerry Lewis in the US, Landa played the common man, who, for all his follies and petty obsessions, remains true to himself (and the leading lady). He rebels against authority not because he is a rebel by nature but because only by rebelling can he retain integrity, and he gets the girl in the final reel. However Landa, like Wisdom or Lewis, also showed his talents as a serious dramatic actor. In 1984 he was chosen by Mario Camus to play the lead role of Los santos inocentes, a peasant farmer whose innate … [Read more...] about The tragic struggle of the loser on the Vespa
Films
The apocalypse comes to Barcelona
The main idea behind Los últimos días, the latest offering from directing/screenwriting brothers David and Àlex Pastor, is far from original. The basic plot - a mysterious and deadly epidemic that creates mass panic and, ultimately, complete social chaos - shares more than a passing likeness with M. Night Shyamalan's 2008 movie The Happening, as well as I am Legend and Danny Boyle's brilliant 2002 release, 28 Days Later. Despite clear parallels with its predecessors, however, Los últimos días is no less worthy in its depiction of all-out human catastrophe. Indeed, it goes one step further, attempting a social critique similar to Blindness, the 2008 movie based on José Saramago's novel of … [Read more...] about The apocalypse comes to Barcelona
Almodóvar’s low-cost comedy fails to raise a laugh
What a shame Pedro Almodóvar’s latest flight of fancy wasn’t cancelled. Los amantes pasajeros (English title I'm So Excited) is an overlong, largely mirthless affair mostly set aboard a plane bound for Mexico City, but which we soon learn is in fact circling above Toledo because its landing gear has been screwed up by absent-minded ground staff Penélope Cruz and Antonio Banderas. Once purser Javier Cámara (who, as we are reminded on several occasions, cannot lie) reveals the awful truth, the prospect of imminent death prompts an outpouring of secrets from the crew and half-a-dozen business-class passengers, all of whom are straight from Almodóvar central casting: the three cabin crew are, … [Read more...] about Almodóvar’s low-cost comedy fails to raise a laugh
It’s Goya time
Perhaps fearful of another black-and-white silent film garnering a top prize for the second year running, Hollywood excluded Blancanieves from the Best Foreign Film category, but Pablo Berger’s overly long 1920s-set bullfighting take on the Snow White tale looks set to sweep the board at this year’s Goya Awards on February 17 in the Spanish capital. The film has been nominated in 18 categories, including picture, director, original screenplay, and editing. Six members of the cast are also in the running for prizes, including leads Maribel Verdú and Daniel Giménez Cacho, as well as newcomer Macarena García for her winsome portrayal of Snow White. Unit 7, from director Alberto Rodríguez, … [Read more...] about It’s Goya time
San Sebastián Film Festival: Happy Hoffman and a hold-up
The 60th San Sebastián Film Festival drew to a close on Saturday evening, with triumphs for French film Dans La Maison, which took the Golden Shell, Blancanieves, The Dead Man and Being Happy, Foxfire and Fernando Trueba, for El artist y la modelo. Macarena Garcia and Katie Coseni shared the Silver Shell for Best Actress, for Blancanieves and Foxfire while the Zinemaldia jury awarded the Best Actor prize to José Sacristán for his performance in The Dead Man and Being Happy. A Special Jury Prize was also awarded to Blancanieves. A second 60th anniversary Donostia Prize (following on from Oliver Stone’s) was also awarded to Dustin Hoffmann, who presented his directorial debut The … [Read more...] about San Sebastián Film Festival: Happy Hoffman and a hold-up
San Sebastián Film Festival: disaster and art
Watch any film at the San Sebastian Film Festival and you can feel like you're taking your life in your hands – two hours of it, anyway. The event, which prides itself on being a champion of the avant-garde, is a notorious game of chance when it comes to buying tickets. So it is a bit surprising when you see a film that delivers exactly what it promises. The Impossible (‘Lo imposible’), a US-Spanish production directed by Juan Antonio Bayona (The Orphanage) is the story of one family's struggle for survival following the devastating tsunami that hit their hotel resort in Thailand on Boxing Day 2004. It is based on the true-life story of Spaniards Quique Álvarez and María Belón … [Read more...] about San Sebastián Film Festival: disaster and art
San Sebastián Film Festival: understanding war and ethnic division
The first 40 minutes of Venuto al mondo (Twice Born), competing in this year's Official Section of the Zinemaldia festival, are, frankly, laughably bad. As well as a corny script and stereotyped characters, the action and events completely lack credibility. Directed by Italian Sergio Castellitto, the film stars Penélope Cruz as Italian beauty Gemma who is swept off her feet by Emile Hirsch's Diego, an American photographer and free spirit. The character of Diego is so full of energy and utter rapture about everything that he is incapable of entering a room without tripping up with excitement over the wallpaper. He and la bella Gemma are first introduced by their mutual, stereotypically … [Read more...] about San Sebastián Film Festival: understanding war and ethnic division
San Sebastián Film Festival: death and happiness
El muerto y ser feliz (‘The Dead Man and Being Happy’) was the name of the Spanish-Argentinian production showing on Sunday as part of this year's Official Section at the San Sebastián Film Festival. It’s a bizarre title with two apparently conflicting ideas; a clue in itself to understanding a film which, in director Javier Rebollo's words, is not contradictory but “paradoxical”. José Sacristán plays paid assassin Santos, who is (fittingly, perhaps,) dying. When he skips hospital and sets out on a road trip with money from his last – failed – hit job and a box of morphine, the viewer joins him on a 6,000-kilometre road trip across Argentina – and, says the director, a “nature … [Read more...] about San Sebastián Film Festival: death and happiness
San Sebastián Film Festival: Snow White hits Andalusia
Not long after movie audiences made the pleasing discovery, thanks to last year's The Artist, that silent films can still be enjoyable, Pablo Berger's Blancanieves, competing in this year's Official Section, provides yet another silent revelation. The story of Snow White set in early 20th century Andalusia actually works. Berger's Blancanieves is Carmencita (played by Sofía Oria and Macarena García), born in Seville during the Belle Époque, a rose-tinted era of Spain's past that lends itself perfectly to silent cinema. Snow White's father is a handsome and celebrated bullfighter, her mother a famous flamenco dancer who dies in childbirth after seeing her husband gored and left paralysed … [Read more...] about San Sebastián Film Festival: Snow White hits Andalusia
San Sebastián Film Festival: Gere finds sinister charm in ‘Arbitrage’
The San Sebastian Film Festival got off to a cracking start on Friday with US film Arbitrage, starring Richard Gere, Susan Sarandon and Tim Roth and directed by Nicholas Jarecki. Opening the event’s 60th edition, Jarecki's film is competing in this year's Official Section. Arbitrage is a tense thriller, set against a corporate backdrop, with a tight script and an energetic pace that is largely down to script writer and debutant director Jarecki. Gere plays Robert Miller, a business magnate who is ready to sell up, supposedly to spend more time with his family. At first he looks as if he has it all: a loving wife (an excellent if little-seen Sarandon), a devoted son and a brilliant … [Read more...] about San Sebastián Film Festival: Gere finds sinister charm in ‘Arbitrage’