It’s now 30 years since José Luis Garci won Spain its first Oscar for Begin the Beguine. In the interim, he has made another 14 films, the latest of which, now on general release, is Holmes & Watson. Madrid Days. That 1982 Oscar gave a much-need boost to the Spanish film industry — even though the film had been panned by the critics and was a commercial flop — and, along with hosting the World Cup and Felipe González’s election win the same year, ushered in a lengthy period of national self-confidence now in tatters after the implosion of the economy. For Garci himself, winning an Academy Award must have been especially gratifying: this is a man for whom Hollywood, and particularly … [Read more...] about José Luis Garci’s Sherlock Holmes is out to rescue Spain
Films
Willy Toledo: The reasons for being a rebel
Willy Toledo – you either love him or you hate him. He made his big break as an actor on the TV show 7 Vidas alongside Paz Vega and Toni Cantó, but he is better known for his political activism. Guillermo Toledo Monsalve, now 42, had an unusual upbringing. Christened by a left-wing priest in the final years of the Franco regime, Toledo’s father came from a working class family who managed to finance his degree in medicine and his mother is from an upper-class family. Despite his relatively privileged background, Toledo received an unorthodox education, studying at the Colegio Estilo, a school based on the principle of constant creative stimulation, which was popular with the members of … [Read more...] about Willy Toledo: The reasons for being a rebel
Rosales paints a masterpiece of family grief
Fresh from its premier in the Directors’ Fortnight sidebar at this year’s rain-soaked Cannes, Sueño y silencio was originally going to be a very different film. Or rather, a very traditional one. Catalan filmmaker Jaime Rosales planned to shoot in colour, with professional actors and a conventional script. But as he prepared the film, all that fell away, leaving us with grungy, grainy black and white, non-actors, no script and a series of fragmentary scenes that sketch out, with aching and rare authenticity, a family in terrible crisis. Oriol, an architect, and his wife Yolanda, a Spanish teacher, live in Paris with their two daughters. Their lives are comfortable and unremarkable. In … [Read more...] about Rosales paints a masterpiece of family grief
Throwing a light on Western Sahara’s tragedy
There is a moment in Alonso Longoria's Los hijos de las nubes (or Sons of the Clouds) that sums up the situation of Western Sahara in all its tragedy and absurdity. It is when, after a five-hour wait, first-time director Longoria and his collaborators (that include Oscar-winning actor Javier Bardem) finally get an audience with a representative of the Algerian government. Once the man is informed that the interview concerns his country's role in the conflict over Western Sahara, his evasiveness is almost comical: “How long will this take? No, no... sorry,” he says, “I've got a meeting on the other side of town and there's a lot of traffic.” Cut to a later shot of Bardem who simply … [Read more...] about Throwing a light on Western Sahara’s tragedy
‘Seis puntos sobre Emma’: Blind motivation?
Seis puntos sobre Emma tells the story of Emma, a blind woman of around 30 who is attempting to get pregnant, with Machiavellian calculation. Interviews with director Roberto Pérez Toledo (himself a wheelchair-user) reveal that one of the main aims behind his film was to offer a portrait of a blind person as a flawed human being rather than a victim. Perhaps it is because I have grown up with visually impaired people, but whenever I see a film purporting to offer this kind of insight into the life of someone with a disability my first reaction is: tell me something new. After all, films featuring portrayals of disabled characters as strong and capable individuals already exist, albeit … [Read more...] about ‘Seis puntos sobre Emma’: Blind motivation?
‘Extraterrestre’: entertaining alien farce just misses the mark
Those who have seen Nacho Vigalondo's debut feature Los Cronocrímenes will be familiar with the director's style. In terms of uniqueness, he is more on a par with the likes of Wes Anderson than Clint Eastwood. And much like Anderson, you either dig his particular vision of the world or you don't. Humour, mixed with a healthy dose of darkness, is an essential ingredient of Vigalondo's work and Extraterrestre (or Extraterrestrial) is no different. The laughs and lighter moments are frequent but they are accompanied by an underlying sensation of subtle menace (one of the most classic examples of this is his 2003 Oscar-nominated short movie 7.35 de la mañana. As in Los Cronocrímenes, in … [Read more...] about ‘Extraterrestre’: entertaining alien farce just misses the mark
Latest ‘[REC]’ instalment offers schlock over terror
REC3 Genesis, the latest movie in Spain’s celebrated zombie franchise, invites viewers to the swank marriage of cooing lovebirds Koldo and Clara. And the nuptial backdrop is a canny move. Director Paco Plaza has rightly realised that weddings - stuffed with religious symbolism, overrun with staggering inebriates and blinded by gaudy dance-floor lights - are a little like a horror movie anyway. Once the guests start eating each other, what’s the difference? The first two films in the series, shot à la The Blair Witch Project with first-person perspective and handheld cameras, played out in a cursed, zombie-infested Barcelona apartment block. The second instalment took up where the … [Read more...] about Latest ‘[REC]’ instalment offers schlock over terror
Red Lights: The sceptics are heroes in paranormal movie thriller
In the opening minutes of Red Lights, the new paranormal thriller by Spanish director Rodrigo Cortés, Dr Margaret Matheson (Sigourney Weaver) and Tom Buckley (Cillian Murphy) arrive at a house on a hill to investigate a reported ghost. Big, old and surrounded by skeletal trees - the place certainly looks haunted. But the thing is, it isn’t. The suspected poltergeist is just an unhappy little girl, slamming her wardrobe door to scare the bejesus out of mum and dad. Case closed. By day, Matheson and Buckley teach paranormal scepticism to psychology students and by night and on the weekends, they’re a hoax-fighting duo, exposing alleged hauntings and fraudulent psychics. But they meet their … [Read more...] about Red Lights: The sceptics are heroes in paranormal movie thriller
Goya 2012: no joy for Almodóvar
I can’t say I was unhappy to be proved wrong in predicting the winners at Sunday’s Goya Awards. Never believe the media. Given the hype, Pedro Almodóvar’s The Skin I Live In looked set to sweep the board, with 16 nominations. But instead the Spanish Film Academy gave the best prizes to Enrique Urbizu’s No Rest for the Wicked, which carried off Best Picture and Best Director, while veteran José Coronado took Best Actor for his portrayal of a maverick cop in the gritty police thriller — the fabulous curly perm he sports in the role was worth an award in itself. Interviewed as he entered the gala event at Madrid’s Opera House, Almodóvar gave the impression he had been tipped off that he … [Read more...] about Goya 2012: no joy for Almodóvar
Spain’s film dubbing: ghost of a fascist past must be laid to rest
Most ex-patriots living and working in Spain will be all too aware of the Spanish penchant for dubbing foreign-language films. Whether Spanish-speaking or not, this is enormously irritating, particularly for those of us not living in more cosmopolitan cities like Madrid or Barcelona, with more cinemas showing films in original version. The nearest big city to me is San Sebastián, which hosts an annual international film festival famed for its predilection for the avant-garde. Throughout the festival, all showings are in original version and San Sebastián is extremely proud of its cinematic culture. Yet after almost 60 years of hosting the event, there is still only one small, two-screen … [Read more...] about Spain’s film dubbing: ghost of a fascist past must be laid to rest