I can’t say I was unhappy to be proved wrong in predicting the winners at Sunday’s Goya Awards. Never believe the media. Given the hype, Pedro Almodóvar’s The Skin I Live In looked set to sweep the board, with 16 nominations. But instead the Spanish Film Academy gave the best prizes to Enrique Urbizu’s No Rest for the Wicked, which carried off Best Picture and Best Director, while veteran José Coronado took Best Actor for his portrayal of a maverick cop in the gritty police thriller — the fabulous curly perm he sports in the role was worth an award in itself. Interviewed as he entered the gala event at Madrid’s Opera House, Almodóvar gave the impression he had been tipped off that he … [Read more...] about Goya 2012: no joy for Almodóvar
the skin I live in
It’s gonna be a love fest at the Goya awards
With 16 nominations, Pedro Almodóvar's The Skin I Live In (La piel que habito) will probably sweep the board on Sunday February 19, when Spain’s Film Academy announces the winners in the 26th annual Goya Awards. Bringing up second place will likely be Enrique Urbizu's thriller No Rest for the Wicked, which has 14 nominations, followed by Kike Maillo's directorial debut Eva with 12. Sunday night looks set to be a very public kiss and make up between Oscar-winning Almodóvar and the Academy, bringing to an end a frosty few years. The 16 nominations end a period of chilly relations between Almodóvar and the Spanish academy, which the director quit five years ago over changes to the … [Read more...] about It’s gonna be a love fest at the Goya awards
‘The Skin I Live In’: another Almodóvar masterpiece?
The international press has been fulsome in its praise of Pedro Almodóvar’s latest movie, The Skin I Live In (La piel que habito), with some reviewers hailing it as a masterpiece, the work of a maestro confidently taking risks, pushing the boundaries of cinema while at the same time entertaining us. With the exception of El País’s Carlos Boyero — whose loathing for Almodóvar is long-standing — the Spanish press has been equally gushing, using that peculiarly empty and baroque language employed when the writer can’t think of anything genuinely meaningful to say, but has to fill the columns: or perhaps in this case it’s simply a way to avoid spoiling the plot. Because that is where the … [Read more...] about ‘The Skin I Live In’: another Almodóvar masterpiece?