Perhaps fearful of another black-and-white silent film garnering a top prize for the second year running, Hollywood excluded Blancanieves from the Best Foreign Film category, but Pablo Berger’s overly long 1920s-set bullfighting take on the Snow White tale looks set to sweep the board at this year’s Goya Awards on February 17 in the Spanish capital. The film has been nominated in 18 categories, including picture, director, original screenplay, and editing. Six members of the cast are also in the running for prizes, including leads Maribel Verdú and Daniel Giménez Cacho, as well as newcomer Macarena García for her winsome portrayal of Snow White. Unit 7, from director Alberto Rodríguez, … [Read more...] about It’s Goya time
Spain cinema
‘Seis puntos sobre Emma’: Blind motivation?
Seis puntos sobre Emma tells the story of Emma, a blind woman of around 30 who is attempting to get pregnant, with Machiavellian calculation. Interviews with director Roberto Pérez Toledo (himself a wheelchair-user) reveal that one of the main aims behind his film was to offer a portrait of a blind person as a flawed human being rather than a victim. Perhaps it is because I have grown up with visually impaired people, but whenever I see a film purporting to offer this kind of insight into the life of someone with a disability my first reaction is: tell me something new. After all, films featuring portrayals of disabled characters as strong and capable individuals already exist, albeit … [Read more...] about ‘Seis puntos sobre Emma’: Blind motivation?
An all-too-fleeting break from obscurity for Horacio Echevarrieta
Before embarking on an article about Oliver van der Zee's recent documentary El último magnate, an important question to ask is why this film about the little-known yet groundbreaking Spanish mogul Horacio Echevarrieta has been all but overlooked in his home turf of the Basque Country (not to mention much of the rest of Spain). Perhaps one clue is director José Antonio Hergueta's comment to El País that Echevarrieta “was the man of the moment in Spain, the most famous, the richest; a pioneer and innovator...(but) these days no-one even in the Basque Country remembers who he was.” All attempts to watch this 80-minute documentary (known internationally as The Last Tycoon and part … [Read more...] about An all-too-fleeting break from obscurity for Horacio Echevarrieta
Goya 2012: no joy for Almodóvar
I can’t say I was unhappy to be proved wrong in predicting the winners at Sunday’s Goya Awards. Never believe the media. Given the hype, Pedro Almodóvar’s The Skin I Live In looked set to sweep the board, with 16 nominations. But instead the Spanish Film Academy gave the best prizes to Enrique Urbizu’s No Rest for the Wicked, which carried off Best Picture and Best Director, while veteran José Coronado took Best Actor for his portrayal of a maverick cop in the gritty police thriller — the fabulous curly perm he sports in the role was worth an award in itself. Interviewed as he entered the gala event at Madrid’s Opera House, Almodóvar gave the impression he had been tipped off that he … [Read more...] about Goya 2012: no joy for Almodóvar
Spain’s film dubbing: ghost of a fascist past must be laid to rest
Most ex-patriots living and working in Spain will be all too aware of the Spanish penchant for dubbing foreign-language films. Whether Spanish-speaking or not, this is enormously irritating, particularly for those of us not living in more cosmopolitan cities like Madrid or Barcelona, with more cinemas showing films in original version. The nearest big city to me is San Sebastián, which hosts an annual international film festival famed for its predilection for the avant-garde. Throughout the festival, all showings are in original version and San Sebastián is extremely proud of its cinematic culture. Yet after almost 60 years of hosting the event, there is still only one small, two-screen … [Read more...] about Spain’s film dubbing: ghost of a fascist past must be laid to rest
It’s gonna be a love fest at the Goya awards
With 16 nominations, Pedro Almodóvar's The Skin I Live In (La piel que habito) will probably sweep the board on Sunday February 19, when Spain’s Film Academy announces the winners in the 26th annual Goya Awards. Bringing up second place will likely be Enrique Urbizu's thriller No Rest for the Wicked, which has 14 nominations, followed by Kike Maillo's directorial debut Eva with 12. Sunday night looks set to be a very public kiss and make up between Oscar-winning Almodóvar and the Academy, bringing to an end a frosty few years. The 16 nominations end a period of chilly relations between Almodóvar and the Spanish academy, which the director quit five years ago over changes to the … [Read more...] about It’s gonna be a love fest at the Goya awards
‘The Skin I Live In’: another Almodóvar masterpiece?
The international press has been fulsome in its praise of Pedro Almodóvar’s latest movie, The Skin I Live In (La piel que habito), with some reviewers hailing it as a masterpiece, the work of a maestro confidently taking risks, pushing the boundaries of cinema while at the same time entertaining us. With the exception of El País’s Carlos Boyero — whose loathing for Almodóvar is long-standing — the Spanish press has been equally gushing, using that peculiarly empty and baroque language employed when the writer can’t think of anything genuinely meaningful to say, but has to fill the columns: or perhaps in this case it’s simply a way to avoid spoiling the plot. Because that is where the … [Read more...] about ‘The Skin I Live In’: another Almodóvar masterpiece?
Torrente, saviour of the Spanish film industry
Lethal Crisis (Crisis letal) is Santiago Segura’s fourth Torrente movie; the actor-director says it will be his last: the character is “killing” him, although it’s not clear whether the Spanish comic is referring to the 40 kilos he puts on for the role, or his chances of ever winning an Oscar. Torrente 4 trots out the same smutty jokes and seul entendres as its successors, but is made all the more, well, smutty, for being in 3D (That said, this reviewer was surprised, not to say disappointed, that Segura didn’t use the costly Avatar technology at his disposal to shove the abundant breasts and genitalia liberally on display throughout in the audience’s face). It’s hardly worth … [Read more...] about Torrente, saviour of the Spanish film industry
Goya Awards: and the winner is… González-Sinde
The 25th Goya Awards ceremony was somewhat overshadowed by the continuing fallout from the very public spat between Culture Minister Ángeles González-Sinde and Alex de la Iglesia, the president of the Spanish film academy, over the government’s recently approved and controversial anti-piracy law. Academy president Alex de la Iglesia at the Goya ceremony. Protesters wearing V for Vendetta masks booed and threw eggs at government ministers and movie-world bigwigs as they arrived at the February 13 ceremony, reserving their cheers exclusively for De la Iglesia. De la Iglesia, a filmmaker himself who has resigned from his post as president of the film academy in protest at what has become … [Read more...] about Goya Awards: and the winner is… González-Sinde
Industry infighting spices up Spanish cinema awards
Sunday Bloody Sunday, Star Wars, and perhaps Gunfight at the O.K. Corral: this year’s Goya cinema awards ceremony on February 13 looks like producing more off-stage drama than the content of all those movies put together. Topping the bill in this very public spat is Ángeles González-Sinde, a scriptwriter and director herself and former president of the Spanish Cinema Academy, who in her current role as culture minister is trying to push through legislation against P2P downloading sites along the lines of that in place in France, the UK, and the United States. The new legislation has been dubbed the “Sinde Law” in her honour. In her quest to protect what she calls “Spain’s … [Read more...] about Industry infighting spices up Spanish cinema awards