The main idea behind Los últimos días, the latest offering from directing/screenwriting brothers David and Àlex Pastor, is far from original. The basic plot - a mysterious and deadly epidemic that creates mass panic and, ultimately, complete social chaos - shares more than a passing likeness with M. Night Shyamalan's 2008 movie The Happening, as well as I am Legend and Danny Boyle's brilliant 2002 release, 28 Days Later. Despite clear parallels with its predecessors, however, Los últimos días is no less worthy in its depiction of all-out human catastrophe. Indeed, it goes one step further, attempting a social critique similar to Blindness, the 2008 movie based on José Saramago's novel of … [Read more...] about The apocalypse comes to Barcelona
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It’s Goya time
Perhaps fearful of another black-and-white silent film garnering a top prize for the second year running, Hollywood excluded Blancanieves from the Best Foreign Film category, but Pablo Berger’s overly long 1920s-set bullfighting take on the Snow White tale looks set to sweep the board at this year’s Goya Awards on February 17 in the Spanish capital. The film has been nominated in 18 categories, including picture, director, original screenplay, and editing. Six members of the cast are also in the running for prizes, including leads Maribel Verdú and Daniel Giménez Cacho, as well as newcomer Macarena García for her winsome portrayal of Snow White. Unit 7, from director Alberto Rodríguez, … [Read more...] about It’s Goya time
San Sebastián Film Festival: disaster and art
Watch any film at the San Sebastian Film Festival and you can feel like you're taking your life in your hands – two hours of it, anyway. The event, which prides itself on being a champion of the avant-garde, is a notorious game of chance when it comes to buying tickets. So it is a bit surprising when you see a film that delivers exactly what it promises. The Impossible (‘Lo imposible’), a US-Spanish production directed by Juan Antonio Bayona (The Orphanage) is the story of one family's struggle for survival following the devastating tsunami that hit their hotel resort in Thailand on Boxing Day 2004. It is based on the true-life story of Spaniards Quique Álvarez and María Belón … [Read more...] about San Sebastián Film Festival: disaster and art
San Sebastián Film Festival: death and happiness
El muerto y ser feliz (‘The Dead Man and Being Happy’) was the name of the Spanish-Argentinian production showing on Sunday as part of this year's Official Section at the San Sebastián Film Festival. It’s a bizarre title with two apparently conflicting ideas; a clue in itself to understanding a film which, in director Javier Rebollo's words, is not contradictory but “paradoxical”. José Sacristán plays paid assassin Santos, who is (fittingly, perhaps,) dying. When he skips hospital and sets out on a road trip with money from his last – failed – hit job and a box of morphine, the viewer joins him on a 6,000-kilometre road trip across Argentina – and, says the director, a “nature … [Read more...] about San Sebastián Film Festival: death and happiness
San Sebastián Film Festival: Gere finds sinister charm in ‘Arbitrage’
The San Sebastian Film Festival got off to a cracking start on Friday with US film Arbitrage, starring Richard Gere, Susan Sarandon and Tim Roth and directed by Nicholas Jarecki. Opening the event’s 60th edition, Jarecki's film is competing in this year's Official Section. Arbitrage is a tense thriller, set against a corporate backdrop, with a tight script and an energetic pace that is largely down to script writer and debutant director Jarecki. Gere plays Robert Miller, a business magnate who is ready to sell up, supposedly to spend more time with his family. At first he looks as if he has it all: a loving wife (an excellent if little-seen Sarandon), a devoted son and a brilliant … [Read more...] about San Sebastián Film Festival: Gere finds sinister charm in ‘Arbitrage’
José Luis Garci’s Sherlock Holmes is out to rescue Spain
It’s now 30 years since José Luis Garci won Spain its first Oscar for Begin the Beguine. In the interim, he has made another 14 films, the latest of which, now on general release, is Holmes & Watson. Madrid Days. That 1982 Oscar gave a much-need boost to the Spanish film industry — even though the film had been panned by the critics and was a commercial flop — and, along with hosting the World Cup and Felipe González’s election win the same year, ushered in a lengthy period of national self-confidence now in tatters after the implosion of the economy. For Garci himself, winning an Academy Award must have been especially gratifying: this is a man for whom Hollywood, and particularly … [Read more...] about José Luis Garci’s Sherlock Holmes is out to rescue Spain
Rosales paints a masterpiece of family grief
Fresh from its premier in the Directors’ Fortnight sidebar at this year’s rain-soaked Cannes, Sueño y silencio was originally going to be a very different film. Or rather, a very traditional one. Catalan filmmaker Jaime Rosales planned to shoot in colour, with professional actors and a conventional script. But as he prepared the film, all that fell away, leaving us with grungy, grainy black and white, non-actors, no script and a series of fragmentary scenes that sketch out, with aching and rare authenticity, a family in terrible crisis. Oriol, an architect, and his wife Yolanda, a Spanish teacher, live in Paris with their two daughters. Their lives are comfortable and unremarkable. In … [Read more...] about Rosales paints a masterpiece of family grief
‘Seis puntos sobre Emma’: Blind motivation?
Seis puntos sobre Emma tells the story of Emma, a blind woman of around 30 who is attempting to get pregnant, with Machiavellian calculation. Interviews with director Roberto Pérez Toledo (himself a wheelchair-user) reveal that one of the main aims behind his film was to offer a portrait of a blind person as a flawed human being rather than a victim. Perhaps it is because I have grown up with visually impaired people, but whenever I see a film purporting to offer this kind of insight into the life of someone with a disability my first reaction is: tell me something new. After all, films featuring portrayals of disabled characters as strong and capable individuals already exist, albeit … [Read more...] about ‘Seis puntos sobre Emma’: Blind motivation?
‘Extraterrestre’: entertaining alien farce just misses the mark
Those who have seen Nacho Vigalondo's debut feature Los Cronocrímenes will be familiar with the director's style. In terms of uniqueness, he is more on a par with the likes of Wes Anderson than Clint Eastwood. And much like Anderson, you either dig his particular vision of the world or you don't. Humour, mixed with a healthy dose of darkness, is an essential ingredient of Vigalondo's work and Extraterrestre (or Extraterrestrial) is no different. The laughs and lighter moments are frequent but they are accompanied by an underlying sensation of subtle menace (one of the most classic examples of this is his 2003 Oscar-nominated short movie 7.35 de la mañana. As in Los Cronocrímenes, in … [Read more...] about ‘Extraterrestre’: entertaining alien farce just misses the mark
Red Lights: The sceptics are heroes in paranormal movie thriller
In the opening minutes of Red Lights, the new paranormal thriller by Spanish director Rodrigo Cortés, Dr Margaret Matheson (Sigourney Weaver) and Tom Buckley (Cillian Murphy) arrive at a house on a hill to investigate a reported ghost. Big, old and surrounded by skeletal trees - the place certainly looks haunted. But the thing is, it isn’t. The suspected poltergeist is just an unhappy little girl, slamming her wardrobe door to scare the bejesus out of mum and dad. Case closed. By day, Matheson and Buckley teach paranormal scepticism to psychology students and by night and on the weekends, they’re a hoax-fighting duo, exposing alleged hauntings and fraudulent psychics. But they meet their … [Read more...] about Red Lights: The sceptics are heroes in paranormal movie thriller