The 60th San Sebastián Film Festival drew to a close on Saturday evening, with triumphs for French film Dans La Maison, which took the Golden Shell, Blancanieves, The Dead Man and Being Happy, Foxfire and Fernando Trueba, for El artist y la modelo. Macarena Garcia and Katie Coseni shared the Silver Shell for Best Actress, for Blancanieves and Foxfire while the Zinemaldia jury awarded the Best Actor prize to José Sacristán for his performance in The Dead Man and Being Happy. A Special Jury Prize was also awarded to Blancanieves. A second 60th anniversary Donostia Prize (following on from Oliver Stone’s) was also awarded to Dustin Hoffmann, who presented his directorial debut The … [Read more...] about San Sebastián Film Festival: Happy Hoffman and a hold-up
Film Festival
San Sebastián Film Festival: disaster and art
Watch any film at the San Sebastian Film Festival and you can feel like you're taking your life in your hands – two hours of it, anyway. The event, which prides itself on being a champion of the avant-garde, is a notorious game of chance when it comes to buying tickets. So it is a bit surprising when you see a film that delivers exactly what it promises. The Impossible (‘Lo imposible’), a US-Spanish production directed by Juan Antonio Bayona (The Orphanage) is the story of one family's struggle for survival following the devastating tsunami that hit their hotel resort in Thailand on Boxing Day 2004. It is based on the true-life story of Spaniards Quique Álvarez and María Belón … [Read more...] about San Sebastián Film Festival: disaster and art
San Sebastián Film Festival: understanding war and ethnic division
The first 40 minutes of Venuto al mondo (Twice Born), competing in this year's Official Section of the Zinemaldia festival, are, frankly, laughably bad. As well as a corny script and stereotyped characters, the action and events completely lack credibility. Directed by Italian Sergio Castellitto, the film stars Penélope Cruz as Italian beauty Gemma who is swept off her feet by Emile Hirsch's Diego, an American photographer and free spirit. The character of Diego is so full of energy and utter rapture about everything that he is incapable of entering a room without tripping up with excitement over the wallpaper. He and la bella Gemma are first introduced by their mutual, stereotypically … [Read more...] about San Sebastián Film Festival: understanding war and ethnic division
San Sebastián Film Festival: death and happiness
El muerto y ser feliz (‘The Dead Man and Being Happy’) was the name of the Spanish-Argentinian production showing on Sunday as part of this year's Official Section at the San Sebastián Film Festival. It’s a bizarre title with two apparently conflicting ideas; a clue in itself to understanding a film which, in director Javier Rebollo's words, is not contradictory but “paradoxical”. José Sacristán plays paid assassin Santos, who is (fittingly, perhaps,) dying. When he skips hospital and sets out on a road trip with money from his last – failed – hit job and a box of morphine, the viewer joins him on a 6,000-kilometre road trip across Argentina – and, says the director, a “nature … [Read more...] about San Sebastián Film Festival: death and happiness