Two new films have just won the top prizes in their respective countries: Celda 211 (or Cell 211), by Spanish director Daniel Monzón; and A Prophet, directed by France’s Jacques Audiard. Both are prison dramas. Both are currently on release in Spain. Both are box office smashes. And that’s pretty much where the similarities end. A Prophet is a confidently directed, superbly acted, universal story of a young man’s rite of passage into hell; at the same time it’s an indictment of France’s brutal prison system, where a disproportionate number of Arabs are locked away, often for relatively minor crimes. Celda 211, on the other hand, is a lacklustre yarn based on a formulaic script, … [Read more...] about A cinema industry locked in confusion
Oscars
Never a prophet in his own land?
First, the Goyas. He was in the running for best original screenplay, but didn’t make it. More importantly for many, Pedro Almodóvar returned on February 14 to Spain’s top movie awards ceremony after a five-year absence to hand Daniel Monzón the best film prize for Celda 211. His presence was highly symbolic, given that Broken Embraces had been overlooked for Spain’s top film prize, as had he for best director. The film was nominated in five categories, among them best screenplay; in the end it won best soundtrack. This year, the story is that the director and the Academy have made their peace, even if Almodóvar rejected a very public plea from the organization’s president, Alex de la … [Read more...] about Never a prophet in his own land?